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Graphic props are a great way of adding historical context to a production. Vintage Graphic props are one of our favourite requests, we have designed all kinds including period newspapers, posters, signage, and labels. We have worked on some great projects including the ‘League of Gentlemen’ and most recently Channel 4’s ‘Year of the Rabbit’. The devil

In the past 20 years, the world has adopted digital and mobile devices for most of it’s ‘non-voice’ communications, and that has been reflected in film and television storytelling. Interactive On Screen Graphics is a relatively new area for art departments to commission, but something Acme has been creating for most of the digital revolution era. The use of

We are used to a variety of weird and wonderful requests here at Acme, the latest being for Mitsubishi who’s ‘mockumentary’ style advert promotes the ASX model and takes place in the ‘Overworked Human Sanctuary’. Whilst showcasing the capabilities of the ASX the focus is on the rehabilitation of Colin the overworked Accountant. We created parodies of all

One of our many Christmas projects last year included Sky One’s Christmas comedy ‘The Queen and I'. Based on Sue Townsend’s 1992 novel, ‘The Queen and I' it tells the fictional story of the royal family who is dismantled and forced to live a normal life after the Republican Party win the general election. This was a great project

The annual flurry of Christmas adverts always signifies the start of the festive season. For Acme, Christmas always arrives early, usually around mid-summer and this year was no exception. We have been busy making graphic props for several different Christmas commercials including Boots, Heathrow, Next and Burberry. This sentimental advert tells the story of a mother-daughter relationship

On Saturday our latest crop of graphic props was showcased on ‘Inside No.9’s’ live Halloween special. The award-winning series famed for its dark humour produced a unique episode full of surprising twists and thrills. The episode begins with Pemberton’s character returning home to Flat No.9. A number of Acme props and graphics were used in this sequence including